title: Garanguedon
From the Bambara peoples of Mali 

#6/8  1   e   &   2   e   &   3   e   &   4   e   &   
Signal
----+---+---+---+---+---+---+---+---+---+---+---+---+
      OO      O   O       O   O       O   O

Low (d42t1)
----+---+---+---+---+---+---+---+---+---+---+---+---+
     +B      +O   B          +B       +O  B   +O  O

Djembe 1 (d42t2-t4)
----+---+---+---+---+---+---+---+---+---+---+---+---+
     +B       S          -S           S          -B
     +B      +S  -O  +O  -S  +O  -O  +S          -B

Djembe 2 (d42t5)
----+---+---+---+---+---+---+---+---+---+---+---+---+
     +S      +O  -S          +S      +O  -S 

Djembe 3
----+---+---+---+---+---+---+---+---+---+---+---+---+
      S           S   O   O   S           S   O   O 

Another low part (d42t6) not finished (2 bar)
----+---+---+---+---+---+---+---+---+---+---+---+---+
     B    C   B   bs      B  bs       B   bs      B

# See pdf/Garangedon.pdf for dundun/bell parts

Garangedon is the dance of the shoemakers
# who, in earlier times, formed their own caste. 
# The name of the rhythm is Garangefoli, 
# and it was played exclusively by this caste.
# In those days, people could only marry within 
# their own caste, and, at the weddings, Garangedon 
# was played. Garangedon is danced by the women.